This Think Tank intends to explore the role of creative production within the development of the competitive edge of any given city, region or country and the potential importance of leadership, and commerciality within the cultural sector, considering Transforma and Torres Vedras as case studies.

Sunday, October 29, 2006

Os artistas são os artesãos da sociedade de informação


Transforma Think Tank explora o futuro das indústrias criatiavas

(published in Jornal de Negócios 20 Oct 2006)
Dora Ribeiro
doraribeiro@mediafin.pt


Em Portugal não se nota, mas basta ouvir alguns interlocutores internacionais para se perceber que dois mundos aparentemente distantes encontram-se num movimento de acelerada convergência. Estou a falar de cultura e negócios. E a nova tendência é de fusão. Em que cada uma das áreas reinventa-se a si própria, quando em confronto com a outra.

O primeiro e mais óbvio sinal desse encontro é a linguagem. NoTransforma Think Tank, que se reuniu entre 20 e 21 de Outubro, emTorresVedras, aconteceu isso mesmo. AndrewCarmichael, DingemanKuilman e ScottBurnham- algumas das personalidades internacionais convidadas pela associação deTorres Vedras - escolheram cuidadosamente os refrãos. “Modelos de negócio,inovação,modelo organizacional, jogos de poder, parcerias, sustentabilidade, ‘governance’".

Vista de longe, a conversa bem poderia parecer inteiramente empresarial. Mas não era. O objectivo era gerar ideias para que a associação Transforma prossiga o seu objectivo de influenciar culturalmente o seu meio, abrindo simultaneamente as portas ao mundo global. Para isso, disseram diversos convidados, é necessário aprofundar os vínculos e as parcerias locais e internacionais. Num processo outra vez mimético ao que se passa no mundo dos negócios.

Há, como se sabe, novas e variadas razões para a aproximação entre os dois mundos. Na economia globalizada, a informação é a matéria-prima bruta. O valor reside no conhecimento: identidade, conteúdo, estilo, ideias, planos, histórias, conceitos, “design”, moda. Fragmentos de significado que as pessoas podem compreender, usar, valorizar e amar. Tudo obras dos artesãos da nova economia: os empreendedores das indústrias culturais.

Pela importância desse sector, defende o organizador do encontro Michael da Costa, o País deveria apostar em transformar-se num “niche player” com a ajuda das indústrias criativas, que estariam presentes “em cada política e relacionadas à comunicação interna e externa do Portugal moderno”. “Os governos falam apenas de tecnologia, mas o valor real está na inovação simbólica”, reforçou também o director da Fundação Premsela de Amesterdão. Que recordou o facto de que as empresas mais antigas do mundo são aquelas com uma “forte identidade, e que demonstraram abertura para o mundo e capacidade de adaptação organizacional e de mentalidade”. Uma receita que, na opinião do holandês, deve servir igualmente para os empreendimentos culturais.

Scott Burnham, um norte--americano que esteve a trabalhar como director criativo do Urbis, em Manchester, advogou também a favor da liderança cultural como uma rede autónoma de interesses. “As ideias fortes têm uma natureza viral”, fogem ao controle e só assim ganham relevância. Para Andrew Carmichael, que se ocupa da renovação urbanística de um bairro londrino (Lewisham) através das indústrias criativas, são necessários modelos económicos sustentáveis para que a criatividade seja igualmente sustentável e capture a imaginação das comunidades.

Carlos Soares Miguel, presidente da Câmarade Torres Vedras, também esteve presente no Transforma Think Tank (foto do grupo tirada em frente à sede da associação). Na sua intervenção, defendeu que a média dimensão do seu concelho (72 mil habitantes) se reflecte negativamente no apoio financeiro que a cultura ali recebe. “Tem sido uma ajuda esporádica e não continuada no tempo.” A falta de tradição e o reduzido retorno do investimento repercute-se depois num menor envolvimento da comunidade. Para o presidente, a saída para uma associação como a Transforma (que tem recebido ajuda financeira da autarquia) é “ganhar notoriedade”, captar públicos na região e afirmar-se no âmbito nacional. Embora reconheça, contudo, a dificuldade de fundir o interesse das comunidades locais e o dos “media”. “Acho que deve ser um movimento de dentro para fora”, advogou.

CRIATIVIDADE AJUDA A VENDER IMÓVEIS
Um novo distrito em Amesterdão (Zuidas) está a ser construído com base no princípio de que a cultura acrescenta valor ao projecto imobiliário. Ou seja, valoriza financeiramente os terrenos e os imóveis. Por isso, a ING Real State e a Câmara de Amesterdão associaram-se à Fundação Premsela, de divulgação do “design” holandês, para desenvolver a Plataforma 21. Com abertura prevista para 2009, o “anti-museu” pretende direccionar o seu foco para os temas da contemporaneidade e do futuro. O objectivo é criar espaços dinâmicos para uma variedade de projectos e actividades de “design” e moda que inquiram e tragam novas visões sobre o mundo que nos cerca. “Os profissionais não têm o monopólio da criação”, diz Dingeman Kuilman, o director da fundação, por isso mesmo haverá também lugar para iniciativas de amadores. Um ponto de encontro para a criatividade e para novos negócios.

Tuesday, October 24, 2006

Arte e criatividade como armas de competitividade


“Think tank” internacional reúne-se em Torres Vedras

(published in Jornal de Negócios 20 Oct 2006)
Dora Ribeiro
doraribeiro@mediafin.pt

Uma auto-estrada pode servir de inspiração criativa. Além do tema davelocidade, tão presente nas nossas vidas, a imagem evoca também os diferentes espaços e realidades sociais e económicas dentro de uma região ou país. Centros e periferias. Talvez por isso a associação Transforma, que promove arte contemporânea a partir de Torres Vedras, escolheu chamarA8 a uma série de eventos que estão a decorrer por sua iniciativa até 25 de Novembro, como objectivo de ganhar mais visibilidade e relevância nacional.

Uma das actividades principais do Laboratório A8 é o “think tank” internacional que decorre, hoje e amanhã, na sua sede em Torres Vedras, e que reunirá, entre outros convidados, o advogado Daniel Alegria dos Reis, o arquitecto e crítico Pedro Gadanho, Daniel Pires, director dos espaço cultural do Porto MausHábitos, Andrew Carmichael, director da Agência Criativa Lewisham, Liz Lydiate, directora do Masters in Enterprise Management of the Creative Arts do London College of Communication, Scott Burnham, director criativo do centro de cultura urbana Urbis (emManchester) e Dingeman Kuilman, director da Premsela Foundation, emAmesterdão. O que pretende aTransforma? A associação, apesar de estar localizada numa periferia, quer ter uma palavra e um papel na indústria criativa portuguesa. Qual ainda não sabe ao certo. E, por isso mesmo, decidiu juntar líderes culturais de vários quadrantes para pensarem sobre o rumo a tomar. “Depois de cinco anos de actividade, a Transforma precisa de uma refundação”, explica Luís Firmo, o presidente da associação. “Temos de criar uma nova prática organizacional e artística”.

O objectivo é assumir-se como um parceiro (local, nacional e internacional) que seja capaz de contribuir para a transformação dos espaços sociais. “Queremos explorar o papel da criatividade dentro do contexto da competitividade das cidades e debater o papel da liderança e dos aspectos comerciais no sector cultural”, escreve Michael DaCosta, o organizador do evento. Se o desenvolvimentode uma vantagem competitiva das cidades está a tornar-se crucial em termos sociais e económicos,“Transforma e Torres Vedras podem liderar a nova tendência das indústrias culturais no País, abandonando a mentalidade do subsídio e avançando para uma visão de indústrias criativas e de investimento”, defende. “Uma forte liderança cultural é fundamental para o futuro de um Portugal moderno”, argumenta.

Como o próprio PlanoTecnológico do actual Governo reconhece (embora nada proponha em concreto), a criatividade está a “tornar-se um‘input’ cada vez mais importante no processo produtivo de todos os bens e serviços”. Além das áreas clássicas e das indústrias tradicionalmente a elas associadas (ver caixa acima), as chamadas indústrias criativas sãohoje reconhecidas como catalisadores de outros sectores económicos e abrem novas fronteiras de diálogo entre arte, ciência e negócio.

E, acima de tudo, essas indústrias provocam um efeito positivo na qualidade de vida das sociedades.“Queremos ser um motor de transformação do panorama local e nacional”, resume Luís Firmo.

Friday, October 20, 2006

Presenting Media Partner


Jornal de Negócios is Media Partner for (TTT) Transforma Think Tank. Dora Ribeiro is the journalist covering our event. You can access the online newspaper here.

Thursday, October 19, 2006

Presenting key note speaker (2)


Scott BURNHAM

Scott Burnham is a leading figure exploring creativity in an urban context and its applications in contemporary culture. He specialises in tracking the latest activities and developments in urban intervention and guerrilla design, working with an extensive network of practitioners and innovators to create new initiatives.

A frequent speaker on emerging urban activity, recent talks include “Open Source Urban: Embracing Urban Intervention as a Design Process”, delivered to the Cityscape Conference on Urban Design in London, 2005 and “The VJ of the Everyday: Physically Remixing the Urban Visual” at the University of Manchester (talk to be published in the forthcoming book Visualizing the City (Routledge, 2006).

In 2003, Burnham was appointed as Creative Director for Urbis, The Centre for Urban Culture, in Manchester, UK. Projects under his direction at Urbis include ‘Ill Communication’, one of Europe’s largest exhibitions of street art created by 10 of the world’s most acclaimed graffiti artists, and ‘SuperCity’, a multi-disciplinary collaboration with Will Alsop to completely re-think the future of the urban environment. ‘SuperCity’ was the featured cultural project for Britain’s Office of the Deputy Prime Minister’s Urban Summit in 2005.

Tuesday, October 17, 2006

Presenting key note speaker (1)


Dingeman KUILMAN
Managing Director of the Premsela Foundation, which promotes the growth of Dutch design at large with funding from the Dutch Ministry of Culture.

He is trained as a graphic designer at the Gerrit Rietveld Academy in Amsterdam and has worked closely with graphic designer Anthon Beeke. In 1994 he joined Philips Design, where he became responsible for Philips Electronics' visual communication worldwide. After four years he joined the Dutch branch of BBDO, where he focused on marketing and brand consultancy. He also manages Platform 21, an international stage for developments in design and fashion, including amateur initiatives.

Thursday, October 12, 2006

TTT timetable

20th and 21st October 2006
Transforma AC in Torres Vedras, Portugal
-------------------------------------------
Transforma Think Tank is especially adressed to creative practitioners, art policy makers especially performance, combined arts, public art, urbanism sector, brand owners especially property developers, art commissioners, specialist media, creative industries in general, students.
-------------------------------------------

Day 1 (20th Friday)

09h00_Welcome coffee (Transforma)

09h30 _TTT welcome + working schedule (Michael DACOSTA)
TTT presentations 20 slides max each participant, 30 seconds per slide = ten minute presentation

09h40 > 11h15 _ guests TTT presentations (20 slides max, 30 seconds per slide )

11h15 > 11h30 _ Coffee-Break

11h30 > 13h00 _ guests TTT presentations (20 slides max, 30 seconds per slide )

13h30 > 15h00 _ Lunch followed by Guided Tour of city by Luis Firmo president of Transforma

15h30 > 17h30 _TTT Workshop 0

18h00 > 19h30 _ Transforma presentation + Discussing workshop Themes /Thinking Space

22h00 _Performance EUROVISION by Teatro Praga (pt)
-------------------------------------------

Day 2 (21st Saturday)

09h00_Welcome coffee (Transforma)

09h15 > 11h00_TTT Workshop 1

11h00 > 11h15_Coffee-Break

11h15 > 13h15 _ TTT Workshop 2 + Group Summaries/ Main Findings

End of Transforma Think Tank

13h30 > 15h00_Exclusive VIP Lunch and key note speech introduced by Transforma Think Tank facilitator Michael DACOSTA

Transforma Think Tank post lunch key note speeches made by:

Dingeman KUILMAN (Premsela Foundation)

and Scott BURNHAM (Urbis Museum)

Wednesday, October 11, 2006

Presenting facilitator


Michael DACOSTA
Founder Director of Architects of Communication (Europe)

From 1999 to 2001 Michael carried out research on the subject of Enterprise and Management of the Creative Arts for London College of Printing at the University of the Arts London (formerly known as the London Institute) focussing on the relationship between commerciality and creativity. This included a presentation to the Prime Minister's cultural policy unit, a presentation to Lord Puttnam, a governor of the University for the Arts London, and a presentation to economics guru Professor John Bates at the London Business School.

He has been a visiting Tutor on the BA Arts and Design course at Central Saint Martins and has lectured at London College of Communication (formerly known as London College of Printing) and Goldsmiths. He intends to carry on his research to PhD level looking at the feasibility and evaluation of a globally applicable blueprint for the engagement of brands with community through the arts.

Michael is considered a key alumnus of the University for the Arts London and is a regular contributor to their magazine. London Council member of A&B (Arts & Business). Co-host of the World Creative Forum during the London Design Festival in 2003; and the Great Artistic Metropolis, National Public Art Conference, London in November 2005.

He lives in Porto and London.

Portuguese leadership in the cultural sector?

Portuguese leadership in the cultural sector?

This inaugural Transforma Think Tank is intended to provoke discussion about the way ahead for the creative industries in Portugal. In Chapter 8 of the Portuguese Government’s high priority Technological Plan, Richard Florida is quoted as saying that Portugal ranks lowest in all of Europe in the creativity index league table. How can we lead the Portuguese creative industries out of this situation? What elements need to be in place in order to increase the chances for a successful renaissance of the Portuguese cultural sector?

The members of the international Transforma Think Tank come from various sectors. Why? Because…“Creativity and innovation are all about breaking away from established patterns,” As the writer William Plomer put it: ‘It is the function of creative men to perceive the relations between thoughts or things, or forms of expression that may seem utterly different and to be able to combine them into some new forms – the power to connect the unconnected.’”…[1].

My personal MA research investigated ‘When do we do what we do?’ or Tempus Operandi. In other words when do creatives do what they do? What elements appear to have to be in place in order to increase the chances for successful commercial and cultural collaboration?

For my proposed PhD research I intend to look at Locus Operandi, ‘Where do we do what we do’ as creative practitioners within an urban context and what influence or impact does our creativity or cultural production have on the various layers of our community?

For the purposes of this Think Tank I suggest we attempt to focus on Who does what we do? Who leads and who follows in the creative sector? Or Personae Operandi

Why now?

the cultural aspect to urban regeneration and the interest in instigating creative industry entrepreneurial clustering in economically depressed regions. The Creative Industries in the UK are worth 100 Billion euros a year..

the growing divide between the rich and poor in society and the seeming impotency of political structures to deal with the problem. Creativity cuts across all boundaries.

the historic lack of representation of socio-cultural diversity and in all creative industry sectors in Portugal. Mobile workforces are on the increase. The creative industries are part of that trend

the historic under-achievement by certain socio cultural echelons within the existing Portuguese education system. One cannot study creativity as a cultural or economic issue in isolation. It is a pedagogical issue too. Portugal also has no university in the top 250 world rankings.

the increasing importance of the value systems of brands for their target audience. The leaders in the cultural sector in Portugal like Transforma have quickly realised that the commercial sector needs associations with them in order to compete in a ‘noisy’ marketplace. It is no longer a question of patronage or sponsorship. It is about partnerships and relational or experiential marketing.

discussions on how to empower entrepreneurs within the creative industries sector especially those from the ethnic minorities and political attention to the powerful force of youth arts networks within local communities especially in terms of capacity building and social cohesion plus


What role can Transforma play in the promotion of leadership and commerciality in the Portuguese cultural industries?
Developing a competitive edge in comparison to other cities has become crucial in socio-economic terms. This Think Tank intends to explore
the role of creativity or culture within the development of the competitive edge of any given city and the potential importance of leadership,
and commerciality within the cultural sector.

Cultural association Transforma intends to drives these agendas in Portugal. This means that in Torres Vedras and Transforma can lead the trend from the cultural industries (and the subsidy mentality)
and towards the creative industries (and the investment mindset).

It could be argued that nurtruing strong cultural leadership is crucial to the future of Modern Portugal. Right across the cultural sector: From those running high profile institutions and business
organisations to those who are studying or just starting out. In the UK the relationship between the cultural and business sectors has been explored and structured and nurtured
by the charity Arts and Business. In the last year a cultural leadership programme has been established in the UK...

"we need to continue to invest in them, in creative talent, in our cultural infrastructure and in ensuring there is a supportive environment in which creativity
can prosper. the leaders in the creative and cultural sector, and we expect a great deal from them: not only sound management practice, but vision,
inspiration and dynamism, as well as a passion for culture and a strong commitment to promoting
its benefits to society and to the wider economy." Gordon Brown, UK Chancellor of the Exchequer.

In other words high quality cultural leadership is too important to the continued success of the cultural sector to leave to chance.





Michael DaCosta © Architects of Communication 2006 – All rights reserved
[1] Pg 209, “Design for a life” - Patrick Bateson and Paul Martin, Vintage, 1988.

Lets declare it open

To start with let's give a full view to our objectives.

- To identify and analyse strategic cultural policies and development models for cultural associations/institutions;
- To learn from different and new approaches/ways to finance and produce cultural projects, especially creative experimental ones;
- To provide a platform for relevant international Case Studies;
- To establish new contacts and networks with other people interested in implementing new practices and discussing cultural polices;
- To understand the risks and opportunities of the implementation of different cultural production models: Learning from the experiences of others, either good or bad;
- To explore socio-political formulas and structures for the cultural sector, public and private partnerships;
- To investigate the importance of spaces of cultural production within the context of urban regeneration;
- To study 'creative city' trends and look at their application to Torres Vedras/Portugal;
- To develop the foundations for rigorous research and practice into these areas.